A series of posters designed for a lecture series on architectural design, presenting two distinct proposals that explore typographic hierarchy, visual organization, and the aesthetics of architecture. Each proposal includes two comprehensive posters displaying all the event details and one poster focusing on a single lecture, creating a cohesive and dynamic set.
Both proposals explore how typography can transcend its informational role to become the imagery of the design. The contrast between bold experimentation and structured minimalism provides a versatile and engaging take on architectural aesthetics. Together, the posters effectively communicate the event details while appealing to an audience of design students and professionals. This project demonstrates the power of type to convey both information and emotion in a way that aligns with the spirit of architectural design.
This proposal leans into a bold and experimental aesthetic, using dynamic compositions, fragmented shapes, and typographic repetition to capture attention. The design reflects the energy and creativity of contemporary architecture while maintaining a clear structure for event details.
Focuses on all lectures, using large black geometric shapes and scattered text to create an engaging visual rhythm. Speaker names are repeated and emphasized, forming part of the visual imagery.
This proposal adopts a structured and minimal approach, drawing inspiration from architectural blueprints and grid systems. It emphasizes clarity and organization, appealing to an audience that values precision and order.
Presents the entire lecture series, incorporating a clean grid structure that mirrors architectural plans. Subtle overlays and typographic balance enhance readability while creating a sense of depth.